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Some delving into animation.

I assisted Pictoplasma Berlin 2025, in monk-mode [observing, learning and not speaking to anybody],
but I took notes:

Algorithm Overdose, Game art, GDR matchobxes, Make topics illustration, Always frame-worthy, We Draw things, Happy makes better work, Virtual Influencers, Made up Gods, Hastings May1, Wasp Dance, Online, Wooster Collective, Klimt Textiles, Russo vegetation paintings, The support is the Medium, war tapestries, Stuck into own style, Bllng Jewellery, Turfing, Danella Needle, Start Somewhere, Gorilla Face, Moments trigger concepts, Slow Practice, No Follow, Politics of AI, Technology of the future - changes views of the past, aggregated media as Content/Data/Exploitable-Resource, individual media as non-economical value for training, art as noise, Beyond Theft (not acknowledged, denied value), Style vs Individual Patterns, Repeated Characteristics, Code inserted in images (qr), Synthetic Reality, Valid as long as Represents the Viewer’s views. Synthetic reality can’t be unseen, Adf campaign “use AI to reflect reality”, tools that align to far-right, Illustrators visualise an imagined reality, AI and indexical truth, Ai revisions of the past is made with fictionalised data (alterations, movies, media), Shadow Prompting creates Diverse Cliches, Black Nazis, Asian Vikings & the white paranoia that haunts generative AI, ArqueoFuturism, The Network State movement, Neo Colonial vision of the Future, AI as Right Wing Aesthetics, AI mashups align with fascist narratives of return to greatness full of stereotypes and cliches, Humans learn Things that Move them. The Value of Creative Workers is a Political Question. Use sculptures as decoy, I thought I was white, Analog Notebook, If there is Something you Love so Much; better Put it in Your Work, Lynch Monkey Interview, Being Satisfied Creatively Will Never Come, People Love to See Themselves Reflected Online, Relatable art/story, Love Your Work, Motion Capture to add subtilities, Get the Point Across, Artists Visualize the Future; so others can see what is coming, Machinima, using game-engines for film or other purposes non-game, Emergent Characters, Collection of Shapes, Character Elements, Lessons of Darkness, Stories Through Landscape, Alien Observations, City as Living Creature, Go on Field Trips, Science Fictions as a Commentary of the Present, Artists as Mash-up Scenarios, Insights of Your Own, Tell the Story Visually, Cross Cultural/Age, Dramatic Turn (the page), Components to build multiple characters, History of Information, Humans as Accumulation of Knowledge, Rhymes and Ceremonies, Books have Better Search, A Sect Adopted Books and Explode, xKeyScore, Why Death is a Skull?, AI as Commutative Knowledge, Cuteness as a SafeSpace, Feminine Silenced, Universal and Timeless, 2D 3D Space Time Interconnection, Human and Abstract Realm, Chain Reaction, Humans as Placeholders,

Inspiring artists: Angela Kirkwood, Cat Johnston, Saddo, Master Tingus, Nadine Redlich, Jill Senft, Jimmy D Lanza, Chris Haughton, Silvia Casali, Jonathan Djob Nkondo, Felicia Chiao

So, I’ll make a film